Here they are in action on set. The jib you see is a dope-ass Zero Gravity Boom with a Weaver-Steadman head on a Fisher 10 dolly gliding on FilmAir Precision track, camera is a Red MX (there’s a 77 umbrella riding on a dolly offset here, too).
These are gigantic focusable 220 flash umbrellas outfitted with 2.5K HMI bulbs and ballasts, photographers use these with Red cameras nowadays in place of traditional still cameras so they can scrub the video’s timeline and pull high resolution frames for print.
Guess who just got a set of vintage Magnepan SMGa ribbon speakers that are older than his girlfriend?
Theoretically, this process can go on infinitely, effectively rendering the jellyfish biologically immortal
Awesome photo taken by @matt_wilson after the storm rolled through Minnesota tonight. Nice cutline, too:
“And that, my friends, is a Minnesotan, post-storm sky.”
(Btw, he used an iPhone app for a little post-production filtering.)
amazing picture and storm.
ain’t no mammatus like minnesnowta mammatus (well, ‘cept maybe down upon tornado alley proper).
DID YOU KNOW!
that in the climactic ending of silence of the lambs, in the background as clarice is in buffalo bob’s basement, hip priest by the fall is playing? (scrub the video player to start at 8:45 in)
it’s off their phenomenal and seminal album hex enduction hour, which you all should know by heart anyway.
(and personally, i think it’s a far better song than that q lazzarus song about horsies)
time dilation
